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<title>daniel persigehl — ostraka</title>
<link>https://daniel.persigehl.com/ostraka/</link>
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<description>Short notes and quotations, newest first.</description>
<language>en</language>
<item>
<title>The Spears Were Real</title>
<link>https://daniel.persigehl.com/ostraka/2026-07-21-the-spears-were-real/</link>
<guid isPermaLink="true">https://daniel.persigehl.com/ostraka/2026-07-21-the-spears-were-real/</guid>
<pubDate>Tue, 21 Jul 2026 04:00:00 +0000</pubDate>
<description>&lt;div class="ostrakon" id="org2da033b"&gt;
&lt;p class="entry-date"&gt;
21 July 2026
&lt;/p&gt;

&lt;p&gt;
From Alan Jacobs&amp;rsquo; post &lt;a href="https://blog.ayjay.org/audens-faith/" target="_blank" rel="noopener noreferrer"&gt;Auden&amp;rsquo;s faith&lt;/a&gt;.
&lt;/p&gt;

&lt;blockquote&gt;
&lt;p&gt;
I said earlier that I wouldn’t say much about the poems, but here I do want to bring one of them in: “Friday’s
Child.” Now, we know that Auden believed that Jesus of Nazareth was a real historical person who “was crucified
under Pontius Pilate.” There’s a funny story Mendelson has told about a lecture that Joseph Campbell gave at
Smith College, when Auden was teaching there, in which he spoke of the oneness of Jesus and the Buddha, each of
whom had spears thrust at him, though in the case of the Buddha they were transformed into flowers. Auden
shouted from the back of the room, “ON GOOD FRIDAY THE SPEARS WERE REAL.”
&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;
and
&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;
Did he believe all this with unwavering faith? Certainly not. Often, it seems, his affirmations were more
aspirational than full of conviction. (I know the feeling.) But the aspiration was real: he perceived his small
faith and small love as deficiencies, felt himself tempted to acquiesce in faithlessness and lovelessness, and
earnestly desired a deeper faith and a greater love. He regularly received Communion not, I think, for the
reasons given by Mendelson but because he understood that “unless you eat the flesh of the Son of Man and drink
his blood, you have no life in you.” And so also he prayed
&lt;/p&gt;

&lt;p class="verse"&gt;
That we, too, may come to the picnic&lt;br&gt;
With nothing to hide, join the dance&lt;br&gt;
As it moves in perichoresis,&lt;br&gt;
Turns about the abiding tree.&lt;br&gt;
&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;
Which strikes me as an echo of the image in &amp;ldquo;Deep River&amp;rdquo; 
&lt;/p&gt;
&lt;p class="verse"&gt;
Oh, chillun, Oh, don&amp;rsquo;t you want to go, to that gospel feast,&lt;br&gt;
That promised land, that land, where all is peace?&lt;br&gt;
Walk into heaven, and take my seat,&lt;br&gt;
And cast my crown at Jesus feet&lt;br&gt;
Lord, I want to cross over into camp-ground.&lt;br&gt;
&lt;/p&gt;

&lt;/div&gt;
</description>
</item>
<item>
<title>On potsherds</title>
<link>https://daniel.persigehl.com/ostraka/2026-06-30-on-potsherds/</link>
<guid isPermaLink="true">https://daniel.persigehl.com/ostraka/2026-06-30-on-potsherds/</guid>
<pubDate>Tue, 30 Jun 2026 04:00:00 +0000</pubDate>
<description>&lt;div class="ostrakon" id="orgc88ff86"&gt;
&lt;p class="entry-date"&gt;
30 June 2026
&lt;/p&gt;

&lt;p&gt;
When papyrus ran short, the monks of the Egyptian desert wrote their psalms
on broken pottery — an &lt;i&gt;ostrakon&lt;/i&gt; cost nothing, and a verse held in the hand
is a verse half-learned already.
&lt;/p&gt;

&lt;blockquote class="primary"&gt;
&lt;p&gt;
Schoolboys, too, scratched their letters on them, and tax-collectors their
receipts. The humblest writing surface in the ancient world turns out to
have preserved a great deal of ordinary life.
&lt;/p&gt;
&lt;/blockquote&gt;

&lt;p class="manicule"&gt;
There is no shame in a small surface. Some things are meant to be written
quickly and kept anyway.
&lt;/p&gt;

&lt;/div&gt;
</description>
</item>
<item>
<title>Augustine on singing</title>
<link>https://daniel.persigehl.com/ostraka/2026-06-28-augustine-on-singing/</link>
<guid isPermaLink="true">https://daniel.persigehl.com/ostraka/2026-06-28-augustine-on-singing/</guid>
<pubDate>Sun, 28 Jun 2026 04:00:00 +0000</pubDate>
<description>&lt;div class="ostrakon" id="org5deb33c"&gt;
&lt;p class="entry-date"&gt;
28 June 2026
&lt;/p&gt;

&lt;blockquote class="primary"&gt;
&lt;p&gt;
&lt;span class="hl"&gt;Cantare amantis est.&lt;/span&gt; — Singing belongs to one who loves.
&lt;/p&gt;
&lt;/blockquote&gt;

&lt;p&gt;
A whole theology of music folded into four words. You do not sing what you
are indifferent to; the act presupposes the affection. Worth remembering on
the mornings the choir is flat and I am tempted to think the singing is the
problem.
&lt;/p&gt;

&lt;/div&gt;
</description>
</item>
<item>
<title>The shape of a mode</title>
<link>https://daniel.persigehl.com/ostraka/2026-06-24-the-shape-of-a-mode/</link>
<guid isPermaLink="true">https://daniel.persigehl.com/ostraka/2026-06-24-the-shape-of-a-mode/</guid>
<pubDate>Wed, 24 Jun 2026 04:00:00 +0000</pubDate>
<description>&lt;div class="ostrakon" id="orgc08ecf3"&gt;
&lt;p class="entry-date"&gt;
24 June 2026
&lt;/p&gt;

&lt;p&gt;
Taught the difference between Dorian and Phrygian today by ear before ever
naming them. The students heard it at once — one rises and opens, the other
leans down and broods — and only then did the theory have anywhere to land.
The name is a hook to hang a thing already known on, never the thing itself.
&lt;/p&gt;

&lt;/div&gt;
</description>
</item>
<item>
<title>Festina lente</title>
<link>https://daniel.persigehl.com/ostraka/2026-06-19-festina-lente/</link>
<guid isPermaLink="true">https://daniel.persigehl.com/ostraka/2026-06-19-festina-lente/</guid>
<pubDate>Fri, 19 Jun 2026 04:00:00 +0000</pubDate>
<description>&lt;div class="ostrakon" id="orgc793d32"&gt;
&lt;p class="entry-date"&gt;
19 June 2026
&lt;/p&gt;

&lt;p&gt;
&lt;i&gt;Festina lente&lt;/i&gt; — make haste slowly. Augustus&amp;rsquo; favourite motto, Suetonius
says, and a printer&amp;rsquo;s device for Aldus Manutius fifteen centuries later: a
dolphin twined round an anchor, speed and ballast in one mark. The best
advice usually contradicts itself a little.
&lt;/p&gt;

&lt;/div&gt;
</description>
</item>
<item>
<title>A line of Horace</title>
<link>https://daniel.persigehl.com/ostraka/2026-06-12-a-line-of-horace/</link>
<guid isPermaLink="true">https://daniel.persigehl.com/ostraka/2026-06-12-a-line-of-horace/</guid>
<pubDate>Fri, 12 Jun 2026 04:00:00 +0000</pubDate>
<description>&lt;div class="ostrakon" id="orge39876b"&gt;
&lt;p class="entry-date"&gt;
12 June 2026
&lt;/p&gt;

&lt;p class="manicule"&gt;
Carpe diem, quam minimum credula postero.
&lt;/p&gt;

&lt;p&gt;
Everyone knows the first half and forgets the second, which is where the
sense lives: pluck the day, &lt;i&gt;trusting as little as possible in the one that
follows&lt;/i&gt;. Not seize-the-day bravado — a gardener&amp;rsquo;s caution about tomorrow&amp;rsquo;s
weather.
&lt;/p&gt;

&lt;/div&gt;
</description>
</item>
<item>
<title>On memorizing declensions</title>
<link>https://daniel.persigehl.com/ostraka/2026-06-05-on-memorizing-declensions/</link>
<guid isPermaLink="true">https://daniel.persigehl.com/ostraka/2026-06-05-on-memorizing-declensions/</guid>
<pubDate>Fri, 05 Jun 2026 04:00:00 +0000</pubDate>
<description>&lt;div class="ostrakon" id="orga218dda"&gt;
&lt;p class="entry-date"&gt;
5 June 2026
&lt;/p&gt;

&lt;p&gt;
A student asked why we still chant the endings aloud when a chart is right
there on the page. Because the chart is in the book and the chanting is in
you. Rote has a bad name it only half deserves; the ear keeps what the eye
lets slide.
&lt;/p&gt;

&lt;/div&gt;
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